- KORG LEGACY COLLECTION ANALOG EDITION PATCH
- KORG LEGACY COLLECTION ANALOG EDITION UPGRADE
- KORG LEGACY COLLECTION ANALOG EDITION CODE
- KORG LEGACY COLLECTION ANALOG EDITION PC
KORG LEGACY COLLECTION ANALOG EDITION PATCH
The MS20EX patch panel, showing the new mixers on the right-hand side. Much more interesting is to ask how much further the MS20EX has been extended on the OASYS. Nor am I going to discuss all of the features - the additional performance capabilities, enhanced modulation routings, the effects and so on - that were added at that time. Now, I'm not going to re-evaluate the MS20 here, nor perform a detailed sonic evaluation of its sections as I did when I reviewed the Legacy Collection ( Sound On Sound, July 2004). I have always thought that this assertion is bunkum, but I am pleased that CMT has been used however it works, it was successful in the Legacy package, and it would make little sense for Korg to replace it here. The MS20 in OASYS uses Korg's Component Modelling Technology, which the company claims models the original synth right down to component level. No longer having an OASYS running v1.1 or earlier, I can't make a direct comparison, but it seems better, especially when rotating a knob for the hackneyed high-resonance LP filter sweep.
This idea is extended into the Combi and Song modes so you can have multiple Polysixes simultaneously, each acting as a true six-voice synth.įinally, Korg claim that a new algorithm provides improved parameter smoothing (less zipper noise) when using the front-panel hardware. This means (for example) that if you want an instance of the Polysi圎X to act authentically and start stealing notes when the requested polyphony exceeds six, you can make it do so. In addition, a new parameter - max number of notes - allows you to set the number of voices available to each of the synth engines. I'm particularly pleased to see that the STR1 Plucked String synthesizer now offers 50 percent more voices (increased from 32 to 48) while the AL1 analogue synth has increased from 84 to 96. Next, the polyphony of two of the previous EXis has been increased. This makes it possible to store up to eight chords simultaneously (with independent velocities for each note), and to transpose them up and down by playing single notes on the keyboard, as in 1981.
KORG LEGACY COLLECTION ANALOG EDITION CODE
It seems that Korg's engineers felt that, if they were going to code the chord memory for Polysi圎X, they might as well make it available to all the sound engines and integrate it with the velocity-sensitive pads. Secondly, there's a new chord memory function. It now works on polyphonic sounds, and a combination of stereo spread and a greater maximum detune dramatically increases the depth obtainable from the effect.
KORG LEGACY COLLECTION ANALOG EDITION UPGRADE
The two new EXis - MS20EX and Polysi圎X, collectively called 'Legacy Analogue' - are part of the v1.2 upgrade for the OASYS, but they are far from everything that the new version has to offer.įirstly, the Unison mode has been enhanced. Furthermore, each of these models can take advantage of everything that the OASYS has to offer in terms of sequencing, arpeggiators, real-time control, KARMA and more.
KORG LEGACY COLLECTION ANALOG EDITION PC
Taking the MS20 and Polysix soft synths from the Legacy Collection, they have not only rewritten them as two EXis for the OASYS, but have extended the models still further to create two unique instruments running on what is, in my experience, a more reliable platform than a Mac or PC trying to run a similar range of applications. Given this, and the slew of new soft synths being released in 2007, you might feel that recreating vintage analogue synths in digital form has become passé, but Korg have come up with a new twist. In particular, G-Media's ImpOSCar and Arturia's revised version of the Minimoog have impressed me, and I have more than a passing fondness for Arturia's Prophet V. Since then, a number of other manufacturers have released soft synths of equivalent accuracy and usefulness. But the company's confidence that the Collection emulated the sounds of the originals was far from misplaced, and I gave all three synthesizer components - the MS20, Polysix and Wavestation - a resounding 'thumbs up'. When Korg released the Legacy Collection in 2004, it was hardly a new concept: model the sound of a vintage synth and combine the signal-processing guts with pretty graphics that fool you into thinking that you hear something that (maybe) you don't. Korg bring the MS20 and the Polysix to the OASYS and introduce a major OS update.
The Parameter Details panel in the lower right-hand corner offers complete information about any selected parameter. The MS20EX oscillators and filters page looks almost identical to the panel of an MS20.
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